You join, see the contributions also too full, e also has references is many things, but I haven't seen anyone mention the issue on, so this post, e wanted to contribute 1 share for the nb as e
If there comes nothing wrong just please don't strike you
-Background: in terms of wedding photography contract pictures, most of the photos has 2 major component is the main subject of the photograph and the surrounding area. Please simple example is a portrait shooting outdoors: the top is the main theme, all others appear in the photo belonged to "background". But want to photograph the aesthetic requirements are met then the background needs to be noted carefully the enduring theme.
Why? According to the traditional rule, then a cavalry charge and don't let the subject and background to sink and on into tricky blocks 1. The common example is the background color, chroma, or patterns similar to the main theme so both mixed together it harder make it harder to discern where theme and background, the background color or texture which highlights the Viewer no longer focused on the main topiceither 1 the background more interesting theme itself
To do this, we could perfectly separated between the subject and the background by using the methods and means of the following:
+ Selectivity and discrimination: the simplest way to avoid 1 background don't fit the timely detection, abandon it and seek other appropriate background 1. Especially with pictures in black and white, all colors that are transformed into various degrees of grey color and discrimination only depends on the contrast of dark light, lightness. Use the color filters in this case can say is essential.
+ Illumination: any objects when illuminated đc also seems lighter and when in the shade or dark areas. Therefore, we can use the light to get stronger or is the subject or background, so on the last photo that will add one more light and create separation for the Visual. When photographing landscapes, many NA thg wait for shadow clouds made of dark background to highlight the main topics at the close.
+ Shallow strokes Broth: 1 to separate the subject and the background is to use the contrast between opaque and clear. We can close the topic, big mine full-aperture lens, use the wide-angle telephoto, or a combination of all three elements above to argue obscure the background and make the subject stand out and make an impression of depth.
+ Go: 1 pp is especially useful to create a contrast between opaque and clear technique is the Turkish Lira (Panning) with the subject is moving quickly with relatively stable speed. Meanwhile, the topic would be relatively clarity on 1 the background blur blurry to the point k and details, and make an impression of motion pictures for the theme.
+ Uniform and neutral background: want to express the most obvious theme or to create a special graphic effects, we can set the subject on a completely neutral background, i.e. k have details or colourful. A hazy sky, fogging, or blue k main cloud is a neutral background. When taking pictures in black and white, we can use color filters to adjust the chroma of the sky. In the home or the easiest way then studio tring to use curtain.
-Money: in one photo, the foreground is symbolic of the close, intimate and the divine nature. By contrast the background and the sky again symbolizes distance, the remoteness, the space and the nature of the spirit. When deliberately emphasize the foreground or the background in the photo, the machine can emphasize the typical properties for his subject. One could use the following: pp
+ Tilt the camera up or down to get more or less the foreground on the photo
+ Using the lens wide or tele to stress or alleviate the foreground in the photo. Wide lens will increase the longer telephoto tubes will decrease go feeling of depth.
+ Use the contrast between near vintage save the dates and far, between the foreground and background to create the impression of depth. Most effective way is to use the money to "Sparkle frame" image. Typical for this technique are the photographs taken through the arches, sills, window, 2 poles, tree branches.v--v. .. While the photos categories often are stereotyped, principles to create a feeling of depth by stacking objects near and far have been effectively and can take many different forms. The effect will be more powerful than if the contrast between the near and far are emphasized by the contrast between light and dark, dark foreground and background. We can remove the foreground completely oversized by closing more topics, use the lens in the range of 70 to 135 mm, or the Cup cut in a dark room when the photo reportage.
I took what learned to share with everyone and you are new to NA.
